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wonderfulambiguity:Dion Palinckx, Tokyo Digital Art Museum, 2019
wonderfulambiguity:Henri Cartier-Bresson, Hyères, France, 1932
wonderfulambiguity:Herbert List, Reflections of St. Marco, Venice, 1953
wonderfulambiguity:Tono Stano, Sense, 1992
wonderfulambiguity:Paul Rockett, Glenn Gould’s Hands, 1956
wonderfulambiguity:Stanley Kubrick, The New York Subway, 1947
wonderfulambiguity:Henri Cartier-Bresson, Martine Franck, Paris, 1967
wonderfulambiguity: Toru Takemitsu
wonderfulambiguity:Edouard Boubat, Lella in Paris, 1950
wonderfulambiguity:Susan Meiselas, Young Gawker, Carnival Strippers, Vermont, 1974 Thanks to burneds
wonderfulambiguity:Andreas Feininger, Motion, Hamburg, ca. 1930-31
wonderfulambiguity:Josef Prošek, Performance by Milan Grygar, 1969
wonderfulambiguity: Andrei Tarkovsky, Nostalghia, 1983
wonderfulambiguity: Rudy Burckhardt, A View From Brooklyn II, 1954
wonderfulambiguity:Luis Camnitzer, Landscape as an Attitude, 1979
wonderfulambiguity: Pepi Merisio
wonderfulambiguity: Frédéric Brenner, Israel Project: Exile at Home
wonderfulambiguity: Kata Kálmán, Ernő Weisz, 23-Year-Old Factory Worker, Budapest, 193
wonderfulambiguity: Eugene Safjan, From the “Short stop” collection
wonderfulambiguity: Antanas Sutkus, Marathon, 1959
wonderfulambiguity: Gianni Berengo Gardin, Puglia Puglia, 1958
wonderfulambiguity: William Gale Gedney, Girl standing on desk in courtyard, performing for a seated
wonderfulambiguity: Todd Webb, Rue des Plantes, 1950
wonderfulambiguity: Albert Monier, Vue des bords de Seine Thanks to undr
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