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Peugeot. 1900. Rene Vincent.46 5/8 x 61 ½ in./118.5 x 156.2 cmThis absolute monster of a chas
Grand Sport. 1925. A. M. Cassandre.23 ¾ x 31 ½ in./60.3 x 80 cm“Clothes make the
Pavillion des Tabacs. 1931. P. Bosse.78 3/8 x 57 ¼ in./199 x 145.4 cmAn electric-pink neon gl
Philippossian Automobiles. 1920. Charles Loupot.50 ¾ x 35 3/8 in./128.8 x 90 cmA flame-haired
Rustic Printed Vintage Font by Edignwn TypeDownload here.Follow WE AND THE COLOR on:Facebook I Twitt
Brooklyn Museum. 1920. Alphonse Mucha.12 1/8 x 19 1/8 in./23.8 x 48.5 cmIn 1921, a retrospective of
Pierre Mendell & Klaus Oberer, poster design for the exhibition Design is art, that makes itself
Firmin Didot, Journal des Peintres, 1835. Paris. Via University of Delaware.
Pavillion des Tabacs. 1931. P. Bosse.78 3/8 x 57 ¼ in./199 x 145.4 cmAn electric-pink neo
Grand Sport. 1925. A. M. Cassandre.23 ¾ x 31 ½ in./60.3 x 80 cm“Clot
Philippossian Automobiles. 1920. Charles Loupot.50 ¾ x 35 3/8 in./128.8 x 90 cmA flame-ha
Peugeot. 1900. Rene Vincent.46 5/8 x 61 ½ in./118.5 x 156.2 cmThis absolute monster of a
Brooklyn Museum. 1920. Alphonse Mucha.12 1/8 x 19 1/8 in./23.8 x 48.5 cmIn 1921, a retrospective of
The Bayland • Retro Vintage Font by letterhend
Wedding Vintage Font by Creativewhitee
stop-that-llama:just-grasping-at-straws:love-as-thou-wilt:outrageauxbonnesmoeurs:Vintage women being
The Ailing Stag [Le Cerf Malade] (1867) by Gustave Doré. Illustration for the Fables of La Fontaine.
costumeloverz71:This photograph of British actress Joan Fontaine in James’s delicate dress with ribb
vintageprecious:source
ridesabike:Jean Simmons, Joan Fontaine, Piper Laurie and Sandra Dee ride bikes. (And Sandra Dee trie
sunsetboulevards: Suspicion (1941) dir, Alfred Hitchcock
April 12th marked the anniversary of Alfred Hitchcock’s 1940 film Rebecca. Here is my painting
Joan Fontaine
Born to be Bad (Ray, 1950)
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