Vfx
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‪Fleischer Studios patents for rotoscoping (“tracing live action”) and the Stereoptical Process (3D
‪Fleischer Studios patents for rotoscoping (“tracing live action”) and the Stereoptical Process (3D
panicatthesocialgathering:VFX Breakdown “Hallelujah” - Panic! at The Disco
panicatthesocialgathering:VFX Breakdown “Hallelujah” - Panic! at The Disco
Robert Abel & Associates again. The short Brilliance was developed as a TV ad for, uhm, canned f
Robert Abel & Associates again. The short Brilliance was developed as a TV ad for, uhm, canned f
Rick Baker transforms Michael Jackson into a werecat during the production of “Thriller” in 1983.The
Rick Baker transforms Michael Jackson into a werecat during the production of “Thriller” in 1983.The
talesfromweirdland:“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, fo
talesfromweirdland:“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, fo
Model and finished version of a Guardian, from Big Trouble in Little China (1986). What it sees, Lo
Model and finished version of a Guardian, from Big Trouble in Little China (1986). What it sees, Lo
talesfromweirdland:Alien designs by Rick Baker (sculptures) and Ron Cobb (drawings) for the unmade S
talesfromweirdland:Alien designs by Rick Baker (sculptures) and Ron Cobb (drawings) for the unmade S
sixpenceee:The result of combining both practical and VFX effects. (Source)
sixpenceee:The result of combining both practical and VFX effects. (Source)
talesfromweirdland:Robert Abel & Associates again. The short Brilliance was developed as a TV ad
talesfromweirdland:Robert Abel & Associates again. The short Brilliance was developed as a TV ad
Alien designs by Rick Baker (sculptures) and Ron Cobb (drawings) for the unmade Steven Spielberg fil
Alien designs by Rick Baker (sculptures) and Ron Cobb (drawings) for the unmade Steven Spielberg fil
Train To Busan: Peninsula (2020), dir. Yeon Sang-ho— cinematography by Lee Hyung-deok, VFX superviso
Train To Busan: Peninsula (2020), dir. Yeon Sang-ho— cinematography by Lee Hyung-deok, VFX superviso
The EXORCIST (1973) movie prop at New York’s Museum of the Moving Image. I’d give it a wide berth.
The EXORCIST (1973) movie prop at New York’s Museum of the Moving Image. I’d give it a wide berth.
talesfromweirdland:Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but
talesfromweirdland:Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but
Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but that doesn’t make
Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but that doesn’t make
talesfromweirdland:Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but
talesfromweirdland:Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but
talesfromweirdland:Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but
talesfromweirdland:Spotlight on the giant from Equinox (1970). Sure, he hits like a little girl, but
“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, form-fitting bodysuit
“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, form-fitting bodysuit
talesfromweirdland:“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, fo
talesfromweirdland:“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, fo
gffa:VFX Artist Reveals HOW BIG Star Wars Ships REALLY Are! [x]
gffa:VFX Artist Reveals HOW BIG Star Wars Ships REALLY Are! [x]
gffa:VFX Artist Reveals HOW BIG Star Wars Ships REALLY Are! | via CorridorCrew
gffa:VFX Artist Reveals HOW BIG Star Wars Ships REALLY Are! | via CorridorCrew
Early Gremlin/Mogwai designs by Chris Walas.
Early Gremlin/Mogwai designs by Chris Walas.
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