Typography Design
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PROGRAMMING POSTERS These Times! Working on an experimental data visualization. Custom API. Headless
PROGRAMMING POSTERS These Times! Working on an experimental data visualization. Custom API. Headless
I don’t ask for much.image | twitter | facebook
I don’t ask for much.image | twitter | facebook
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
Some BGs from Mighty Magiswords episode “Straining Day.” That last one was made to be rotated from t
Some BGs from Mighty Magiswords episode “Straining Day.” That last one was made to be rotated from t
Zdeněk Ziegler, film posters, 1980/1987. Czechoslovakia. Via RRtL
Zdeněk Ziegler, film posters, 1980/1987. Czechoslovakia. Via RRtL
Herbert Spencer, Typographica 5, England, 1962. ​Typographica was a journal of typography and visual
Herbert Spencer, Typographica 5, England, 1962. ​Typographica was a journal of typography and visual
Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Are you ready for some football? cait.art.design
Are you ready for some football? cait.art.design
William Ludlow, Italic Typography, 1927. Shown is Aldus Pius Manutius. Ludlow Typography Company. US
William Ludlow, Italic Typography, 1927. Shown is Aldus Pius Manutius. Ludlow Typography Company. US
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Lettering by @kennycoilFollow us on Instagram: @betype
Lettering by @kennycoilFollow us on Instagram: @betype
Willi Fleckhaus, artwork for Twen magazine, March 1964. Germany. The holy grail of twen issues: Visi
Willi Fleckhaus, artwork for Twen magazine, March 1964. Germany. The holy grail of twen issues: Visi
Fritz Lewy, promotional ad for a packaging design studio, from the magazine Die Reklame, 1926. iaddb
Fritz Lewy, promotional ad for a packaging design studio, from the magazine Die Reklame, 1926. iaddb
Saul Blass, title sequence for Stanley Kramer’s It*s a mad, mad, mad, mad world, 1963
Saul Blass, title sequence for Stanley Kramer’s It*s a mad, mad, mad, mad world, 1963
Michael Engelmann, poster for the pre shave lotion T2, 1960s. Pitralon, Germany. Via Ideenstadt / fl
Michael Engelmann, poster for the pre shave lotion T2, 1960s. Pitralon, Germany. Via Ideenstadt / fl
i’ll always be a little sad about how declawed michael and helen were at points but god when they go
i’ll always be a little sad about how declawed michael and helen were at points but god when they go
Shit can get litter than lit, boy.
Shit can get litter than lit, boy.
Christoph Ehbets, record cover for Label Eterna: Beethoven, Missa Solemnis, 1966. Bach / Matthäuspas
Christoph Ehbets, record cover for Label Eterna: Beethoven, Missa Solemnis, 1966. Bach / Matthäuspas
Carl Regher, design of the first Imagination brochure for Champion Paper, Ohio, 1963. Chicago, USA.
Carl Regher, design of the first Imagination brochure for Champion Paper, Ohio, 1963. Chicago, USA.
photo editor 
photo editor 
Adobe Calendar, 1991. The beginning of PostScript. Adobe, USA. Unknown designer. Via Peter Gabor Des
Adobe Calendar, 1991. The beginning of PostScript. Adobe, USA. Unknown designer. Via Peter Gabor Des
Chewing gum and typography, this collection and more via PastPrint.
Chewing gum and typography, this collection and more via PastPrint.
elfrightsactivist:New commission post to include the typography ink character designs that seem to b
elfrightsactivist:New commission post to include the typography ink character designs that seem to b
Dottie For YouCover design for paperback release of ‘Dottie For You, Season 1’ by Regina Watts.Relea
Dottie For YouCover design for paperback release of ‘Dottie For You, Season 1’ by Regina Watts.Relea
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