Sixteenth Century
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These images come from a late Sixteenth Century printing of the Dietenberger Bible. Dietenberger und
These images come from a late Sixteenth Century printing of the Dietenberger Bible. Dietenberger und
blogging-at-your-funeral-2:Claude ParadinThe accompanying motto to this emblem is “Vis nescia vinci”
blogging-at-your-funeral-2:Claude ParadinThe accompanying motto to this emblem is “Vis nescia vinci”
pre-raphaelisme:A Venetian Gaming-House in the Sixteenth Century by Valentine Cameron Prinsep, date
pre-raphaelisme:A Venetian Gaming-House in the Sixteenth Century by Valentine Cameron Prinsep, date
renaissance-art:“The early sixteenth century was a time when prophecies were popular and prophets we
renaissance-art:“The early sixteenth century was a time when prophecies were popular and prophets we
‘The Human Sundial’, copy after Peter Flötner, c.1540-1550A satrical print
‘The Human Sundial’, copy after Peter Flötner, c.1540-1550A satrical print
mea-gloria-fides:Blair Atholl
mea-gloria-fides:Blair Atholl
nannaia: Kimono by Liza Dalby“In the sixteenth century, the nobility ceased to be the sole sou
nannaia: Kimono by Liza Dalby“In the sixteenth century, the nobility ceased to be the sole sou
nannaia: Kimono by Liza Dalby“In the sixteenth century, the nobility ceased to be the sole sou
nannaia: Kimono by Liza Dalby“In the sixteenth century, the nobility ceased to be the sole sou
Barbara Longhi (Italian, 1552-1638): Madonna and Child (via Dorotheum)
Barbara Longhi (Italian, 1552-1638): Madonna and Child (via Dorotheum)
A Venetian Gaming-House in the Sixteenth Century by Valentine Cameron Prinsep, date unknown
A Venetian Gaming-House in the Sixteenth Century by Valentine Cameron Prinsep, date unknown
Kimono by Liza Dalby“In the sixteenth century, the nobility ceased to be the sole source of fa
Kimono by Liza Dalby“In the sixteenth century, the nobility ceased to be the sole source of fa
Tankard, ca. 1580–85, Augsburg.“ The sixteenth century was Augsburg’s golden age.
Tankard, ca. 1580–85, Augsburg.“ The sixteenth century was Augsburg’s golden age.
Woodcut from Johann Wolf’s ‘Lectiones Memorabiles et Reconditae,’ a commonplace bo
Woodcut from Johann Wolf’s ‘Lectiones Memorabiles et Reconditae,’ a commonplace bo
Eglantine Table, Hardwick Hall, C16th.More beautiful images from Hardwick Hall can be found here: ht
Eglantine Table, Hardwick Hall, C16th.More beautiful images from Hardwick Hall can be found here: ht
stanza from In Defence of Woman [O Blaid Y Gwragedd] by sixteenth century poet william cyn
stanza from In Defence of Woman [O Blaid Y Gwragedd] by sixteenth century poet william cyn
Skeleton and écorché figure, Rel.e.59.1. Unknown, early sixteenth century?.
Skeleton and écorché figure, Rel.e.59.1. Unknown, early sixteenth century?.
The Great Bed of Ware, Victoria and Albert Museum, 1580, now back in the V&A after spending
The Great Bed of Ware, Victoria and Albert Museum, 1580, now back in the V&A after spending
First edition of the Gospels in Anglo-Saxon, with parallel text in English. It is one of four books
First edition of the Gospels in Anglo-Saxon, with parallel text in English. It is one of four books
You had one job …In late 1587, Christopher Barker (ca. 1529-1599) - printer to Queen Eliz
You had one job …In late 1587, Christopher Barker (ca. 1529-1599) - printer to Queen Eliz
More often than not, when searching for a particular item on the shelf or section of text within a b
More often than not, when searching for a particular item on the shelf or section of text within a b
Dapper young Lad posing for a Portrait - Sixteenth Plate Ambrotype taken in the United States - 1850
Dapper young Lad posing for a Portrait - Sixteenth Plate Ambrotype taken in the United States - 1850
Parmigianino, ‘Portrait of a Collector’, c. 1523An unidentified sitter poses in
Parmigianino, ‘Portrait of a Collector’, c. 1523An unidentified sitter poses in
Lucas Cranach the Elder, Saints Christina and Ottilia, 1506. National Gallery, London. Saint Christi
Lucas Cranach the Elder, Saints Christina and Ottilia, 1506. National Gallery, London. Saint Christi
‘The Human Sundial’, copy after Peter Flötner, c.1540-1550A satrical print
‘The Human Sundial’, copy after Peter Flötner, c.1540-1550A satrical print
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