Scottish Artists
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Thomas Faed (1826-1900), “Tam O'Shanter” by Robert Burns, 1890 Source
Thomas Faed (1826-1900), “Tam O'Shanter” by Robert Burns, 1890 Source
Dame Elizabeth Violet Blackadder aka Mrs Houston aka Elizabeth Blackadder aka Dame Elizabeth V. Blac
Dame Elizabeth Violet Blackadder aka Mrs Houston aka Elizabeth Blackadder aka Dame Elizabeth V. Blac
Alexander Mann (1853 - 1908), ‘The Long Cry of the Reeds at Even’, 1896
Alexander Mann (1853 - 1908), ‘The Long Cry of the Reeds at Even’, 1896
Stewart Orr (1872-1944), ‘The Piper’, “Plume, Crayon, Fusain” by Charles Hol
Stewart Orr (1872-1944), ‘The Piper’, “Plume, Crayon, Fusain” by Charles Hol
Joseph Noël Paton (1821-1901), ‘The Commander-in-Chief in the Crimea’, “The Art Journal”
Joseph Noël Paton (1821-1901), ‘The Commander-in-Chief in the Crimea’, “The Art Journal”
William Strang (1859-1921), ‘Christian Fights Apollyon’, “The Pilgrim’s Prog
William Strang (1859-1921), ‘Christian Fights Apollyon’, “The Pilgrim’s Prog
Thomas Reynolds Lamont (1826-1898), “Once A Week”, Oct. 8, 1864Source
Thomas Reynolds Lamont (1826-1898), “Once A Week”, Oct. 8, 1864Source
William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b
William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b
Alexander Runciman (British; 1736–1785)Perseus Arriving to Slay Medusa Etching, 1774 Yale Center for
Alexander Runciman (British; 1736–1785)Perseus Arriving to Slay Medusa Etching, 1774 Yale Center for
Green is forsaken and yellow forsworn and blue is the colour true-love to adorn.-titled in a cartouc
Green is forsaken and yellow forsworn and blue is the colour true-love to adorn.-titled in a cartouc
Tristram and Iseult.Pen and watercolour.23 x 36 cm.Art by Annie French.(1872-1965).
Tristram and Iseult.Pen and watercolour.23 x 36 cm.Art by Annie French.(1872-1965).
The Rose.Pen, ink and watercolour.20 x 29.5 cm.Art by Annie French.(1872-1965).
The Rose.Pen, ink and watercolour.20 x 29.5 cm.Art by Annie French.(1872-1965).
felixinclusis:sadean1‌: Black dog biting white dog Whyn Lewis
felixinclusis:sadean1‌: Black dog biting white dog Whyn Lewis
William Hamo Thornycroft RA (1850-1925), ‘Medea’, “The Scottish Art Review”,
William Hamo Thornycroft RA (1850-1925), ‘Medea’, “The Scottish Art Review”,
Landscape (Thoré Valley)John MacWhirter (Scottish; 1839–1911)undatedWatercolor, touched with bodycol
Landscape (Thoré Valley)John MacWhirter (Scottish; 1839–1911)undatedWatercolor, touched with bodycol
Harold Robert Millar (1869-1942), “The New World Fairy Book” by Howard Angus Kennedy, 19
Harold Robert Millar (1869-1942), “The New World Fairy Book” by Howard Angus Kennedy, 19
The Valley of Slaughter, Skye John MacWhirter (Scottish; 1839–1911)1876Oil on canvasMontreal Museum
The Valley of Slaughter, Skye John MacWhirter (Scottish; 1839–1911)1876Oil on canvasMontreal Museum
Ken Barr (1933-2016), ‘Phase One’, 1971Source
Ken Barr (1933-2016), ‘Phase One’, 1971Source
Gordon Mitchell Forsyth (1879-1952), ‘Der Triumph des Hasses’ (The Triumph of Hatred), &
Gordon Mitchell Forsyth (1879-1952), ‘Der Triumph des Hasses’ (The Triumph of Hatred), &
William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b
William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b
Monro Scott Orr (1874-1955), “The Arabian Nights’ Entertainments”, 1913Source
Monro Scott Orr (1874-1955), “The Arabian Nights’ Entertainments”, 1913Source
William Brown Macdougall (1868-1936), “The Fall of the Nibelungs” by Margaret Armour, 18
William Brown Macdougall (1868-1936), “The Fall of the Nibelungs” by Margaret Armour, 18
Jessie Marion King (1875-1949), ’Pelléas et Mélisande’, “Modern Pen Drawings&rdquo
Jessie Marion King (1875-1949), ’Pelléas et Mélisande’, “Modern Pen Drawings&rdquo
William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b
William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b
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