Russian avant-garde

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thefeelingisamazingdoneonadellAlene KennedyJenny Jennyspcebunny

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gegensmith:Hanging spatial construction 11 / Square In Square / 1921ALEKSANDER RODCHENKOTo those who

hipinuff:Kazimir Malevich (Russian, born Ukraine: 1878–1935), Suprematist Composition (with yellow,

rosswolfe:From Hans Arp and El Lissitzky’s The “Isms” of Art (1924), via The Charnel-House

russianavantgarde:El Lissitzky - Black Anxious, 1920Intense anxiety-production, who will spray their

ein-bleistift-und-radiergummi:El Lissitzky ‘Monument to Rosa Luxemburg’ 1919 – 21

hipinuff:El Lissitzky (Russian: 1890-1941), Proun, c.1924–25. Collage of various cut-and-tipped wove

Alexander Rodchenko, The Last Picture, 1921more

aesthetic-of-art:SuprematismKazimir Malevich, 0.10 Exhibition, 1915, Petrograd‘Every real form

likeafieldmouse:Gustav Klutsis - Axiomatic Construction (ca. 1921) and Construction (1922)As yet unr

1910-again:Alexander Rodchenko, Black Circles 1918The revolution will appear and be understood as a

bustakay:“I am the machine that reveals the world to you as only I alone am able to see it.&rd

Kazimir Malevich (Russian, born Ukraine; 1878–1935)Suprematist Composition: White on White1918Oil on

arth207-spring:Portrait of Natalia Goncharova, Mikhail Larionov, Oil on Canvas, Futurism, 1915 

StairsAlexanderRodhenko (Russian; 1891–1956)1929–30Gelatin silver printSepherot Foundation, Vaduz, L

Dziga Vertov (Kino-Glaz) = DzigaVertov (Cinema-Eye)El Lissitzky (Russian; 1890–1941)1929Gelatin silv

Sovetskoe kino, no. 1 (cover) = SovietCinema, no. 1 (cover)Varvara Stepanova (Russian; 1894–1958)Pub

Wassily Kandinsky  —  Eine Spit  (oil on cardboard, 1925)

slcvisualresources:Natalia Goncharova, Cats / Rayist Perception in Rose, Black and Yellow(1913, oil

Lest we forget that the mirror shot is hardly a 21st century phenomena, it has existed from the mome

ConstructionAlexandra Exter (Russian; 1882–1949)ca. 1922–23Oil on canvasThe Museum of Modern Art, Ne

OLGA ROZANOVA - PUB (1913)

Still LifeAlexandra Exter (Russian; 1882–1949)1913Collage and oil on canvas © Museo Thyssen-Bornemis

Memoirs of a Revolutionary by Victor Serge (1951)PDF (13 mb)

Winter Landscape by Semyon Pavlov (1924)

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