Pre-code

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mashrabiyajuliacarpenterfeaturefilmsforfamiliesalexandroupoliBYANNA TWO

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LIVE

Anna StenNana (Lady Of The Boulevards) - 1934

One Hour With You (1932) - Ernst Lubitsch and George Cukor.

stop-that-llama:just-grasping-at-straws:love-as-thou-wilt:outrageauxbonnesmoeurs:Vintage women being

weepingbrook:Patrons standing in line to wait to see Frankenstein for the first time.1931

mothgirlwings:Jean Harlow on the set of “Dinner At Eight” (1933).  Her white satin gown by Adrian wa

theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g

mothgirlwings:the-asphalt-jungle:Marie DresslerDinner At Eight, (1933)(via the-dark-city)

precodeaffair:— Dinner At Eight (1933)

clarulitas:Morocco (1930)

mothgirlwings:Ann Dvorak - “Scarface” (1932)

mariedeflor:Loretta Young and Norman Foster in the pre-Code film Week-End Marriage, 1932

Sylvia Sidney in Dorothy Arzner’s Merrily We Go to Hell (1932).

wildarcy:IT HAPPENED ONE NIGHT (1934)

One Hour With You (1932) - Ernst Lubitsch and George Cukor.

nino-rota:Design for Living, Ernst Lubitsch, 1933File Under: Screwball comedy addiction continues to

lucynic83:Loretta Young’s legs in the opening scene of the pre-code film Loose Ankles, 1930

theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g

nitratediva: Joan Blondell has a very pre-Code confrontation with Claire Dodd in Footlight Parade (1

nitratediva:Everyone’s favorite pre-Code bad boy, Warren William, in Employees’ Entrance.

nitratediva: The Pre-Code Myrna Loy.

Marlene Dietrich and Herbert Marshall in Blonde Venus (Josef von Sternberg, 1932)

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