Objectivity

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Dodo (Dörte Clara Wolff), Fireworks, 1929. Germany

George Grosz (1893-1959), ‘The Pit’ (1946), ’'George Grosz’’ by John I

George Grosz, Suicide, 1916.

Carl Grossberg, The Yellow Boiler (Der Gelbe Kessel), 1933. Oil on wood. Von der Heydt-Museum Wupper

driflloon:visual objectivity: cong he for rogue fashionbook

Self-Portrait with Champagne Glass, Max Beckmann, 1919

Felix Nussbaum (1904-1944) — Einsamkeit (Lonliness)  [oil, canvas, 1942]

Franz Sedlacek aka Franz August Moritz George Sedlacek (Austrian, 1891-1945, b. Breslau, Germany) -

Flower Piece, Franz Sedlacek, 1922

Zeche Zollverein,Essen, GermanyMay 2018

It’s an early 20th century version of Realism. In the 1920s, some artists continued to work in

Paul Citron, Metropolis, 1923. Photo collage. France. Source

Glasverzerrung I = Glass Distortion IWilly Zielke (German, born Poland; 1902–1989)Original photograp

rikla-kliakil:wetwareproblem:geekandmisandry:jamiemortara:reaaaaall. so much respect bb.Wow, this is

medievalpoc:There is no “proof” here.I post evidence, and I post informed interpretations of that ev

Rudolf Schlichter: Portrait of Bertold Brecht 1928Lenbachhaus Munich

Kazimir Malevich, Suprematism with Blue Triangle and Black Square, 1915 (Stedelijk Museum, Amsterdam

August Sander: High School Student (Gymnasiast) 1926Gelatin silver print

Osram-Glühlampen = Osram LightbulbsWilly Zielke (German, born Poland; 1902–1989)Original photograph:

Paul Kelpe (1902-1985) — Man and Machinery  (oil, canvas, 1934)

Otto Dix

Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x 72 1/8 in./

smbc-comics:read more comics like this at smbc-comics.com

Heinrich Davringhausen (German; 1894–1970)Porträt Mann in Frack = Portrait of a Man in Tails Oil on

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