Modernism
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unavidamoderna:Conjunto Sierra Gorda-Cofre de Perote. Lomas de Chapultepec, Sierra Gorda esq. Cofre
unavidamoderna:Conjunto Sierra Gorda-Cofre de Perote. Lomas de Chapultepec, Sierra Gorda esq. Cofre
Vista de la entrada a una casa particular, Conjunto de casas,  av. Constituyentes 1056 (o Privada de
Vista de la entrada a una casa particular, Conjunto de casas,  av. Constituyentes 1056 (o Privada de
Vista desde la calle, Edificio Circular, av. Insurgentes Sur 1020, Insurgentes San Borja, Benito Juá
Vista desde la calle, Edificio Circular, av. Insurgentes Sur 1020, Insurgentes San Borja, Benito Juá
In an effort to integrate art and architecture, in 1963 Bacardi commissioned Brazilian artist Franci
In an effort to integrate art and architecture, in 1963 Bacardi commissioned Brazilian artist Franci
In 1965, Bacardi moved its headquarters to Bermuda, which had developed into a popular pit stop for
In 1965, Bacardi moved its headquarters to Bermuda, which had developed into a popular pit stop for
20aliens:modernism in public spaces
20aliens:modernism in public spaces
The Canfield Gambling House, Everett Shinn, 1912
The Canfield Gambling House, Everett Shinn, 1912
movingthestill:Title: ”The Thinker”Artist: Primoz Zorko
movingthestill:Title: ”The Thinker”Artist: Primoz Zorko
Trude Petri, Cookie jar with a high grip, 1957. KPM Manufakturarchiv, Berlin. Via museumsportal
Trude Petri, Cookie jar with a high grip, 1957. KPM Manufakturarchiv, Berlin. Via museumsportal
Fractal II. /Whispering Leaves of the Digital Treesacrylic, oil, carving on birch panel30x40 inches
Fractal II. /Whispering Leaves of the Digital Treesacrylic, oil, carving on birch panel30x40 inches
Black Iris by Georgia O’Keeffe (1887–1986), 1926, oil on canvas“Nobody sees a flower - really - it i
Black Iris by Georgia O’Keeffe (1887–1986), 1926, oil on canvas“Nobody sees a flower - really - it i
Karhula VaseAlvar Aalto (Finnish; 1898–1976)1937GlassRafaela & Kaj Forsblom Collection. © All ri
Karhula VaseAlvar Aalto (Finnish; 1898–1976)1937GlassRafaela & Kaj Forsblom Collection. © All ri
Jens Risom, chair Vostra, 1950s. Re-edition Walter Knoll, Germany.
Jens Risom, chair Vostra, 1950s. Re-edition Walter Knoll, Germany.
Deutscher Werkbund, Die Form – Monatsschrift für gestaltende Arbeit, No. 8, 1928. Berlin. Via Bücher
Deutscher Werkbund, Die Form – Monatsschrift für gestaltende Arbeit, No. 8, 1928. Berlin. Via Bücher
Herbert Hirche, cushioned chair, 1955. For Walter Knoll, Germany.Armin Herrmann. Museum der Dinge, B
Herbert Hirche, cushioned chair, 1955. For Walter Knoll, Germany.Armin Herrmann. Museum der Dinge, B
Eslöv Civic hall (Medborgarhuset), Eslöv Sweden, 1955-57Architect Hans Asplundvia: Lindman Photograp
Eslöv Civic hall (Medborgarhuset), Eslöv Sweden, 1955-57Architect Hans Asplundvia: Lindman Photograp
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