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Illustrations from the so-called “Brussels Album”, depicting numerous ceremonies held to
Late 19th century French postcards of actresses and performers in elaborate costumes
1910 Costume designs by Leon Bakst for the ballet “Cleopatra” ;Jewish dancer, Musician a
The operatic soprano Giuseppina Ronzi in oriental costume as Fatima in Rossini’s opera Pietro
French actress Arlette Dorgère by Léopold-Émile Reutlinger
Toukui or Chinese opera ‘Phoenix Crown’worn exclusively by Empresses, Imperial Concubines or Noble L
Mlle. Fernande Cabanel in Harlequin costume on the cover of Comoedia Illustre by Jean Gabriel Domerg
“A Lady of Hindoostan” i.e. India; Plate from Beau Monde, 1809. Could be an illustration
Sarah Bernhardt in “La Dame aux Camélias” by José Nin y Tudo, c. 1890
Scheherazade by Leon Bakst
Sonia Delaunay costume design for title role from Cleopatra for the 1918 Ballets Russes production
Ida Rubinstein’s costume for Phaedra by L. Bakst, 1923
Arlequina from Comedia dell Arte Schwarzenberg collection of theatralia, theatre repertoire and cost
“Azollan” costume design by and artist from the circle of Louis-René Boquet,1774
Costume designs for the ballet “Legend of Aziade” by Boris Anisfeld,1926
“Arlecchina ballerina” by Franz Anton Bustelli, , 1757
Sketch of the costumes for dancers for the ballet La Bayadère “by L. Minkus by Fyodor Fedorovs
“The pilgrim” costume illustration by Leon Bakst, 1911
Russian courtiers dressed in traditional and historical Russian costume for the Romanov Anniversary
Costumes “à la Romain” originating from 18th century France. These costumes were used in variety sho
Female Harlequin in 18th century clothes, mid-19th century costume illustrations for the Commedia de
“Costume pour Mlle Bernard dans Tancrède une guerrière, suivante de Clorinde Dessins et croqui
A masquer in “Brittannia Triumphans” and costume for the King in the masquerade “S
Dancer with a Hoop by Jean-Louis Forain, 1881
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