Liv Ingmar
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timotaychalamet:Liv & Ingmar (2012) dir. Dheeraj Akolkar
timotaychalamet:Liv & Ingmar (2012) dir. Dheeraj Akolkar
glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)
glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)
missgilda:Liv Ullmann and Bibi Andersson in Ingmar Bergman’s Persona, 1966
missgilda:Liv Ullmann and Bibi Andersson in Ingmar Bergman’s Persona, 1966
andreii-tarkovsky:Ingmar Bergman & Liv Ullmann during the filming of Autumn Sonata. 
andreii-tarkovsky:Ingmar Bergman & Liv Ullmann during the filming of Autumn Sonata. 
glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)
glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)
My words mean nothing to you. People like you can’t be reached. I wonder whether your madness isn’t
My words mean nothing to you. People like you can’t be reached. I wonder whether your madness isn’t
Bibi Anderson & Liv Ullmann in “Persona” directed by Ingmar Bergman, 1966
Bibi Anderson & Liv Ullmann in “Persona” directed by Ingmar Bergman, 1966
HOSTSONATEN
HOSTSONATEN
Original Poster
Original Poster
The demons are innumerable, appear at the most inconvenient times, and create panic and terror. But
The demons are innumerable, appear at the most inconvenient times, and create panic and terror. But
“Today I feel that in Persona – and later in Cries and Whispers – I had gone as far as I could
“Today I feel that in Persona – and later in Cries and Whispers – I had gone as far as I could
“The first time I met Ingmar as shy as I was and I as afraid as I was I just also felt this familiar
“The first time I met Ingmar as shy as I was and I as afraid as I was I just also felt this familiar
Liv Ullmann on her character (Anna) / En Passion, Ingmar Bergman.
Liv Ullmann on her character (Anna) / En Passion, Ingmar Bergman.
Liv Ullmann in The Passion of Anna, dir. Ingmar Bergman.
Liv Ullmann in The Passion of Anna, dir. Ingmar Bergman.
anamorphosis-and-isolate:― Liv & Ingmar (2012)“…and that’s a good lesson to learn in life. Let g
anamorphosis-and-isolate:― Liv & Ingmar (2012)“…and that’s a good lesson to learn in life. Let g
gnosideicarpocraziani:Liv Ullmann. Persona (1966, Ingmar Bergman).
gnosideicarpocraziani:Liv Ullmann. Persona (1966, Ingmar Bergman).
anamorphosis-and-isolate:― Liv & Ingmar (2012)“…and that’s a good lesson to learn in life. Let g
anamorphosis-and-isolate:― Liv & Ingmar (2012)“…and that’s a good lesson to learn in life. Let g
“Chopin was emotional, but not mawkish. Feeling is very far from sentimentality, The preulde t
“Chopin was emotional, but not mawkish. Feeling is very far from sentimentality, The preulde t
glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)
glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)
Liv Ullman and Ingmar Bergman on the Set of Hour of The Wolf, 1968
Liv Ullman and Ingmar Bergman on the Set of Hour of The Wolf, 1968
Liv Ullmann in Autumn Sonata (dir. Ingmar Bergman) and Helga in Andrew Wyeth’s “Braids” 
Liv Ullmann in Autumn Sonata (dir. Ingmar Bergman) and Helga in Andrew Wyeth’s “Braids” 
Liv Ullmann. Persona (1966, Ingmar Bergman).
Liv Ullmann. Persona (1966, Ingmar Bergman).
“Private Confessions he said was one of his favorite films, and he wanted me to do it because
“Private Confessions he said was one of his favorite films, and he wanted me to do it because
andreii-tarkovsky:”There’s only one demand and that is to be alive.” - Ingmar Bergman 
andreii-tarkovsky:”There’s only one demand and that is to be alive.” - Ingmar Bergman 
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