Italian Museum

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Draught Board, early 17th century. Gold & Silver embroidery, wood. Venice, Italy. Via Museum of

Etched Morion Cabasset, Italian, late 16th century.from the Saint Louis Art Museum

Ornately embossed Italian morion, circa 1550-1570.from The Philadelphia Museum of Art

Italian parade halberd, early 17th century.from The Cleveland Museum of Art

Alessandro Mendini, Glasses, 1986. Photo: Die Neue Sammlung – The International Design Museum Munich

Sisyphus, Titian, 1548-49

Ornate snaplock or snaphaunce carbine from Brescia, Italy.  Barrel by Lazzarino Comizzano. Artwork b

The Madonna of the Rabbit, Titian, 1525

Mansion of Baron Stieglitz: The Ballroom, Luigi Premazzi, 1870

elsewheregreen:David with the Head of Goliath, 1642. Antonio de Bellis. San Diego Museum of Art.

Diogenes and Plato, Mattia Preti, 1649

The Death of Adonis by Giuseppe MazzuolaThe Large Italian Skylight Hall (room 238) State Hermitage M

Alfonso V of Aragon/I of Naples “the Magnanimous”, attr. to Mino da Fiesole (1429-1484)

Rinaldo and Armida by Michele RoccaItalian, 1720-1750oil on canvasWalters Art Museum

Jesus and the Samaritan Woman at the Well, Guercino, 1640-41

Head of Mad Ophelia (1865). Michele Rapisardi (Italian, 1822-1886). Museum of the Ursino Castle, Cat

Italian rapier, circa 1590.from The Kunsthistorisches Museum

Italian rondache, 16th centuryfrom The Philadelphia Museum of Art

Statue of a seated poet (Orpheus?)Greek (from Tarentum), Early Hellenistic Period, 330-300 B.C.terra

Giovanni della Robbia’s Resurrection of Christ was commissioned around 1520-24 by the Antinori famil

Allegorical figures of Geometry, Arithmetic, Metaphysics, and Grammar by Giovanni Battista Tiepolo a

Ceramic Plaque, Italian, 15thCentury, Madonna and Child, Walters Art Gallery, Baltimore, 2014.Happy

Ecce Homo, Titian, 1543

Portrait of a Man, Francesco del Cossa, between 1472 and 1477

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