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Italian Armor
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The Way to CalvaryDomenichino (Domenico Zampieri) (Italian; 1581–1641)ca. 1610Oil on copperJ. Paul G
Mercury Ordering Aeneas to Abandon Dido (detail)Orazio Samacchini (Italian; 1532–1577)second half of
The “Italian Bard,” a Horse Armor made for King Henry VIII of England, Greenwich, England, ca. 1515,
Italian savoyard helmet, circa 1600from Peter Finer
Saint Sebastian Thrown into the Cloaca MaximaLodovicoCarracci (Italian; 1555–1619)1612Oil on canvasJ
Italian arditi with body armor, World War I.
Shaffron of Henry II of France when Dauphin, ca. 1495, Italian.Shaffron is that piece of armor that
candlewinds:breastplate; the only signed work of Giovan Paolo Negroli (Italian, ca. 1513-1569) (x)
Portraits of a Young Woman and Two Young MenGuido Reni (Italian; 1575–1642), school of17th centuryOi
David (Study for a Painting)Guercino (Italian; 1591–1666)ca. 1636Pen and brown ink The British Museu
Gold etched Italian war hat, circa 1550.from The Wallace Collection
Embossed Italian morion, late 16th century.from Czerny’s International Auction House
candlewinds:breastplate; the only signed work of Giovan Paolo Negroli (Italian, ca. 1513-1569) (x)
Caterina Sforza - The tigress of Forli Caterina Sforza (1463-1509) was the granddaughter of Bianca M
Portrait of Emperor Rudolf IIMartino Rota (Italian; ca. 1520–1583)ca. late 1570s–before 1585Oil on c
Italian breastplate, circa 1550 (upper plate), circa 1620 (lower plates).from The Wallace Collection
dbmurphy:Italian armor c. 1565
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
David (Study for a Painting)Guercino (Italian; 1591–1666)ca. 1636Pen and brown ink The British Museu
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
Northern Italian cuirassier armor, dated 1633-1634.from The Philadelphia Museum of Art
Italian half armor, circa 1590.from Peter Finer
Shield, ca. 1535Attributed to Girolamo da Treviso (Italian, ca. 1497–1544)This piece is from a disti
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