Horror Media

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Jack Burman (Canadian, b. 1949, Hamilton, Ontario, Canada) - Execution Victim, France, 17th Century,

Ian Miller (British, b. 1952, England) - Artwork for Eldritch Horror’s The Vomit Hounds  Drawings, M

the mantle of mesonychoteuthis

Frankenstein’s Monster revives in manga form!Junji Ito announces a monochrome variation of Unbox Ind

i want you, baby // IG: ras.alhagve

overheal:dannyquirkartwork:Back in January, it came to my attention that Madonna’s social media team

Truth, for Month of Fear.Gabriella Liv. Experimental mixed media.

eatsleepdraw:Psycho Demented Creepy Macabre, Horror, Hand Drawn Art Illustration by Artist Spencer J

My #Top10ofthe2010s stack. This was crazy difficult, and there are around 50 honorable mention films

Geez, mainstream media, what a sensational headline. -Black Cat #36, reprinted in Bob Powell’

Memento Mori (Plague Doctor)ink, watercolour, coloured pencilwww.BRBryan.com

Wednesday Addams, of The Addams Familyink, watercolour, coloured pencilwww.BRBryan.com

Crimson Peakwatercolour, ink, and coloured pencilBRBryan.com

junji-info:Junji Ito’s “Venus in the Blind Spot” has been released both physically and digitally! So

Book #72 of 2021:Later by Stephen KingThis new novel from author Stephen King finds the horror maste

image description: a moodboard based around felix kranken from the walten files that consists of 9 i

Scan and Paint for the 1st July!Feel free to tip me on Ko-fiYou can vote for the next doodle to be d

hunterschafer:WOMEN IN HORROR↳ for @mikaeled- @filmgiftexchange

Junji Ito’s “Venus in the Blind Spot” has been released both physically and d

helpeverythingiscats:lostcryptids:love to collect fake comments from social media based horror films

lostcryptids:love to collect fake comments from social media based horror films 

lostcryptids:love to collect fake comments from social media based horror films 

Junji Ito x Odioうずまき(Uzumaki) c o l o r f u l Junji ito colorful retrospective vol 2

Junji Ito x Odio 阿彌殻断層の怪(The Enigma of Amigara Fault) c o l o r f u l Junji Ito colorful retrospecti

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