Etching Illustration

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LIVE

Aeneas and the Sybil in the Underworld by Wenceslaus Hollar (1654)

A Sleeping Bacchus by Richard Earlom (1780)

Aron Wiesenfeld (American, b. 1972, Washington D.C., USA) - Thicket, 2013, Etching

Drypoint prints using the same plate. After each print I added new clothes until the frame was full.

Kyoko Imazu (Japanese, b. Japan, based Melbourne, Australia) - Friends Of The Night, 2015  Etching,

this is the full size original clayboard etching for my Crimson Peak print for Guillermo Del Toro an

Yoko Akino aka 秋野 暢子 (Japanese, b. 1967, Kyoto, Japan) - Insha ‘Allah, Etching, Aquatint on Paper

Illustration from “Ces presentes heures a lusaige de Romme furent acheuees le xvii. iour de Auril. L

Frontispiece with a fantasy representation of the Via Appia Antica (details) by Giovanni Battista Pi

Mirka Farabegoli (Dutch, b. 1983, Leeuwarden, Netherlands) - Bast, 2012   Etching

Kyoko Imazu (Japanese, b. Japan, based Australia) - Adelie II, 2014  Etching and Aquatint on Copperp

Charon by Cornelis Bloemaert (1635-38)

Diana Discovering the Pregnancy of Callisto by Jacob Lois (1643)

Satyrs and Nymphs Celebrating Pan by Claude Gillot (1648-1722)

Kyoko Imazu (Japanese, b. Japan, based Australia) - Cat Town, 2013   Etching, Aquatint on Copperlate

Hercules driving off the cattle of Geryon, at the right are the nymphs of Hesperides by Giulio Bonas

Diana Leaving the Bath by Edmond Hédouin (1864)

William Kent (1685-1748), ‘Errour defeated by the Redcross Knight’, “The Faerie Qu

mxxbt:Jean Fautrier, etching illustrations for L’Alleluiah: Catéchisme de Dianus, Georges Bataille

Illustrations for Otto of the Silver Hand by Howard Pyle

Terre Inconnue byErik Desmazières (1981)

Illustration for ‘The Vanity of Ambition’ from A Collection of Pretty Poems for the Amus

TOERISM VLANDEREN - Shots I animated one year ago for a spot you can see in Brussel Airport. My firs

Cadmus Killing the Dragon by Antonio Tempesta (1606)

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