Classical Tradition
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The majority of the life class focused on one long, seated pose that lasted approximately three hour
The majority of the life class focused on one long, seated pose that lasted approximately three hour
柳橋 (Pont Yanagi)Tsuchiya Koitsu, 1934
柳橋 (Pont Yanagi)Tsuchiya Koitsu, 1934
silezukuk:Votive terracotta body parts from the Sanctuary of Asklepios in Ancient Corinth. / Αναθημα
silezukuk:Votive terracotta body parts from the Sanctuary of Asklepios in Ancient Corinth. / Αναθημα
A plate depicting a winged, Gorgon-headed deity, shown in the traditional pose of the Πότνια Θηρῶν (
A plate depicting a winged, Gorgon-headed deity, shown in the traditional pose of the Πότνια Θηρῶν (
devayana:The classical hero struggled with fortuna primarily in war & on the high seas. Nietzsch
devayana:The classical hero struggled with fortuna primarily in war & on the high seas. Nietzsch
A warrior draws his sword as he grabs a veiled woman.  The scene is traditionally interpreted as Men
A warrior draws his sword as he grabs a veiled woman.  The scene is traditionally interpreted as Men
Archaeological Museum of Patra:Two clay “piggy banks”. One of them has been tampered with (left), as
Archaeological Museum of Patra:Two clay “piggy banks”. One of them has been tampered with (left), as
Thésée retrouve l'épée de son père = Theseus Finding His Father’s SwordNicolas Poussin (French;
Thésée retrouve l'épée de son père = Theseus Finding His Father’s SwordNicolas Poussin (French;
Le Massacre des Innocents = Massacre of the InnocentsNicolas Poussin (French; 1594–1665)1626–27Oil o
Le Massacre des Innocents = Massacre of the InnocentsNicolas Poussin (French; 1594–1665)1626–27Oil o
Bacchus and ApolloNicolas Poussin (French; 1594–1665)1620–25Oil on canvasNationalmuseum,
Bacchus and ApolloNicolas Poussin (French; 1594–1665)1620–25Oil on canvasNationalmuseum,
The Return of the Holy Family from Egypt|Nicolas Poussin (French; 1594–1665)ca. 1628–38
The Return of the Holy Family from Egypt|Nicolas Poussin (French; 1594–1665)ca. 1628–38
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