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Playing cards with notable moments in art and design history, by Ryan Hewlett
Gertrud Arndt, self portraits, “Maskenportraits”, 1930sMal schlägt sie verschämt die Aug
Marcel Breuer & Katt Both, Wardrobe for a children’s room, 1924. Made by the Bauhaus Carpe
Ellen Lauterbach, Eckstein with Lipstick, 1930. ringl+pit, Berlin. More to see: flickr ringlandpitIn
Hal Foster, ‘The ABCs of Contemporary Design’, p. 194.
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Stoffe im Raum, Otti Berger, 1929
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
Heinrich Siegfried Bormann, Kandem table lamp, 1932. Körting & Mathiesen, Germany. Via Phillips.
Marianne Brandt, napkin holder, 1930-32. Ruppelwerke, Germany. Via Wright.
topcat77:Bauhaus Graphic Design
Josef Albers, Kombinations-Schrift, Bauhaus Lettering Set, 1926-31. Milk glass and painted wood.
Poster, Divisumma, 1953designed byHerbert Bayer and made for (as the client)
2012 Graphic Design Trends3: Bauhaus-inspiredSimple, strong, graphic pattern typifies this trend dir
Curt Fischer, bauhaus scissor lamp, Scherenlampe, late 1920s. Iron, aluminium, bakelite. Bauhauswerk
Gertrud Preiswerk (1902-1994), Bauhaus exercise for weaving, watercolor drawing, 1920s. She studied
Hannes Meyer, Co-op folding chair, directors chair, 1926. Switzerland.Designed for the Co-op Room fo
Bauhaus: Building the New Artist – Online Exhibition of the Getty Research Institute Take an in-dept
Léna Berger (1906-1981), Textile Design for “Metro”, Bauhaus, 1932. Gouache, graphite an
Hilde Reindl, design exercises for the Bauhaus weaving class, 1920s
Gunta Stölzl, Bauhaus, woven textile sample, 1920s
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