Soviet Cinema Posters 1960s

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Stalker (1979) - by Andrei Tarkovsky

Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’

Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’

Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.

“It’s hard to catch a person leading a double life!”“I was constantly tormented by it.”Beware of the

Stalker (1979) - by Andrei Tarkovsky

“The Needle” dir. by Rashid Nugmanov, 1988

calpuccino:Language is much closer to film than painting isI JUST DO NOT KNOW HOW THIS FILM COULD BE

vatnik-ivan:j-dueso:Morbo+CinemaUtomlyonnye solntsem (1994)IWorld-wide (English title  - “Burnt by t

grantcary:Operation Y and Shurik’s Other Adventures // Операция “Ы” и другие приключения Шурика [196

dianus:Dziga Vertov, Man with a Movie Camera (Russian: Человек с киноаппаратом), 1929.‘Our eye

Царевна-лягушка / The Frog Princess (1954) dir. by Mikhail Tsekhanovskiy.

Namus meaning “honor” is a 1925 silent film by Hamo Beknazarian which denounces the harsh rite

Сталкер (Stalker) , dir. Andrei Tarkovsky, 1979.

Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.

roserosette:‎In the Thirteenth Hour of the Night, 1969, Larisa Shepitko

disorienteddreams:Ivan’s Childhood (Andreï Tarkovsky, 1962)

mendelsohnben:Andrei Rublev (1966) dir. Andrei Tarkovsky

Dziga Vertov (Kino-Glaz) = DzigaVertov (Cinema-Eye)El Lissitzky (Russian; 1890–1941)1929Gelatin silv

Sovetskoe kino, no. 1 (cover) = SovietCinema, no. 1 (cover)Varvara Stepanova (Russian; 1894–1958)Pub

wike-wabbits:Defying Everybody (Yuri Ilyenko, 1973)

winterswake:Ivan Vasilievich Changes Profession (1973) dir. Leonid Gaidai

thefilmstage:A stark contrast from triumphalist Allied narratives of World War II, Elem Klimov’s spe

Берегись автомобиля / Beware of the Car  (Eldar Ryazanov, Russia/USSR, 1966)

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